Количество страниц: 5 с.
- Общественные науки. Образование > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
Никифорова, С. А. Выразительное чтение как одна из форм патриотического воспитания в начальной школе (на примере изучения произведений авторов-земляков родом из Татты) / С. А. Никифорова // Образование: пути решения актуальных проблем : сборник научно-методических статей педагогов, участников республиканских Педагогических чтений работников образовательных организаций (учреждений) / Таттинский лицей им. А. Е. Мординова ; составитель, научный редактор С. И. Огоюкина ; ответственный редактор И. А. Сивцева ; [вступительные статьи: И. А. Сивцева, О. М. Слепцова]. - Якутск : ИЦ НБ РС (Я), 2024. - С. 352-356
Количество страниц: 10 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
Cientific novelty. Despite a sufficient level of study of the issue of the relationship of Yakut literary criticism to the poetic heritage of the first Yakut poet A.E. Kulakovsky (1877-1926), special works devoted to the literary-critical reception of his poetic works of the period of the formation of literary criticism are not enough. In the works of novice critics, questions of the ideological nature of literature, attitudes towards the literary heritage and folklore, problems of the creative method, ways of depicting reality, etc. were often solved on the basis of the “material” of the work of pre- revolutionary writers. Although in the vast majority of critical speeches of the early 20 th century the influence of the socio-political situation in the country is noted, expressed in the ideological position and aesthetic views of the authors, they laid the foundation for the receptive aesthetics of the A.E. Kulakovsky's works. It was the first critical speeches of critics that made it possible to subsequently consider the works of the classic not as a separate existing text with the time indicated in it and as a product of its time, but as an element of a whole system where a work of art interacts with a modern reader. The aim of the article is to present the critical speeches of the first Yakut critics as sources of the initial period of comprehension and evaluation of the heritage of the founder of Yakut literature A.E. Kulakovsky. The research methods of the study are historical-genetic, historical-cultural, biographical. The results of the study consist in the analysis of reviews and articles of the first critics, which make it possible to identify the features of the perception of the creative heritage of the first poet by critics and writers of the emerging Yakut literature. During the formation of Yakut literary criticism, the authors' performances were generally of an agitation and educational nature, which was dictated by the party's policy in the field of literature and art. Nevertheless, critical articles appeared on the pages of the periodical press, in literary and art magazines and collections of works of the “Sakha Keskile” research society, fully meeting or close to the requirements of criticism of works of art from the point of view of literary theory. These include articles by V.N. Leontiev.
Дарбасова, С. Д. Литературно-критические рецепции В. Н. Леонтьева и М. И. Шадрина на издания А. Е. Кулаковского 1920-х гг. / С. Д. Дарбасова ; Северо-Восточный федеральный университет им. М. К. Аммосова // Северо-Восточный гуманитарный вестник. - 2022. - N 4 (41). - С. 130-139. - DOI : 10.25693/SVGV.2022.41.4.012
DOI: 10.25693/SVGV.2022.41.4.012
Количество страниц: 9 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
The article provides in-depth the issue of the first literary text, which serves as the foundation for the development of literature as a distinct system apart from the oral tradition. In this context, we aim to revisit the question of which work by A.E. Kulakovsky should be regarded as the inaugural text of Yakut literature: the chronologically first by its conception and composition or the first by publication, which became widely known to readership. The paper forwards a hypothetical proposition of the importance of the publication of A.E. Kulakovsky’s first poem “Oath of Abasy” in 1908, which was selected by the author himself from the entire corpus of his early body of work. The purpose of the paper is to analyse the first poem by A.E. Kulakovsky in the aspect of poetics of the literary text itself. The research objectives include the analysis of the poem in the aspect of identifying the “poetic principle” within and in the context of the formation of the literary text as a whole, which determined the principles of formation of the poet’s literary poetics. The results of the analysis of A.E. Kulakovsky’s first poem demonstrate that it was this exact work, rather than “Algys to Baianai”, should be seen as the first literary text of the tradition, symbolising the beginning of literature as a new type of text, distinct from folklore. Analysis of this poem confirms that literature, unlike folklore, is aimed from the start at the author’s creation of the poetic principle proper, which permeates the text on all its levels. The scientific justification of “the primary text” of Yakut literary tradition should be considered as a fully motivated departure from the ideological assessments, characteristic of Soviet literary criticism and, in particular, in the history of studying the literary heritage of A.E. Kulakovsky.
Покатилова, Н. В. Первый литературный текст якутской традиции в аспекте новых подходов к поэтике / Н. В. Покатилова ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 2 (96). - С. 144-152. - DOI: 10.25587/2222-5404-2024-21-2-144-152
DOI: 10.25587/2222-5404-2024-21-2-144-152
Количество страниц: 7 с.
- Общественные науки. Образование > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
Significant interest in the Arctic zone of Yakutia emerged at the end of the 20th century, when alluvial diamond deposits were discovered and began to be developed. The Arctic also has great prospects for hydrocarbons. At the present time there is a struggle for the development of natural resources of the Arctic, in this connection the relevance of the Arctic theme in Yakut literature as a whole increases. The Arctic is a mysterious, harsh northern land, which at the same time is very beautiful and dangerous. The land of White Silence fascinated and attracted explorers, travellers and romantics. Not only masters of words, but also artists, pedagogues, philosophers turned their eyes to the world of childhood as an integral part of people's life. Memories of childhood spent in the harsh northern land, of its courageous inhabitants - reindeer herders, hunters, fishermen - became the material for the literary works of the national writer of Yakutia, poet, prose writer Semyon Andreevich Popov-Tumat. In the works of the writer we get acquainted with the difficult life of the indigenous people of the North with their traditions, ways of life, with their feelings and dreams. We have analysed cycles of children's proses written by Semyon Tumat. In the stories of the writer contains a lot of cognitive information about the life of a simple man, a northerner, a master, transforming this harsh land and the amazing country of snow, endless sky, illuminated by the polar lights, the wonderful world of the Arctic. S. Tumat's prose does not glorify tenderness or mercy. In the works of the writer the most important themes are: the theme of childhood, upbringing, family, faith, willpower, the theme of nature, friendship and love. However, love for his native northern land, parents, the world of the Arctic appears in the works of a strong feeling, imprinted forever on the heroes. Semyon Andreevich approached to the disclosure of this issue individually; thinking over the style and details of the narrative, composition of the works, character and psychology of the heroes.
Башарина, З. К. Особенности природы Арктики в восприятии ребенка в детской прозе Семена Тумата / З. К. Башарина, М. П. Попова, М. А. Винокурова ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 2 (96). - С. 84-90. - DOI: 10.25587/2222-5404-2024-21-2-84-90
DOI: 10.25587/2222-5404-2024-21-2-84-90
Количество страниц: 12 с.
- Языкознание. Филология. Художественная литература > Языкознание и языки. Лингвистика > Якутский (саха),
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
The study was an attempt to reveal the role of using paired words by the people’s poet Vladimir Novikov-Kyunnyuk Uurastyrov in the poem “Communist Semyon”. An analysis of the use of paired words in fiction allows us to understand their semantic meaning, impact on the reader, and their role in the narrative. Paired words can create a certain atmosphere, convey a certain mood, or highlight the central idea of a work. Especially in poetry and prose, the effective use of paired words plays a key role in conveying the imagery, mood, and ideas of the author. Revealing the peculiarities of the functioning of paired words in fiction is oneof the important current tasks of studying the language of fiction. As a result of the study, it was revealed thatpaired words are complex unities with emotional-expressive and modal-collective meanings, introducing additional stylistic colors to the lexical and grammatical meanings of sentences.
Гуляева, Н. В. Особенности функционирования парных слов в поэме В. М. Новикова-Кюннюк Уурастырова "Коммунист Сэмэн" / Н. В. Гуляева, Г. Г. Филиппов ; Северо-Восточный федеральный университет им. М. К. Аммосова, Институт языков и культуры народов Северо-Востока Российской Федерации // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Алтаистика". - 2024. - N 2 (13). - C. 5-16. - DOI: 10.25587/2782-6627-2024-2-5-16
DOI: 10.25587/2782-6627-2024-2-5-16
Количество страниц: 14 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
In his works, Dmitry Naumov created a special social and spiritual “microcosm” in the image of the Yakut village Charannaakh, since, in his opinion, the national identity of the Sakha people is formed precisely in rural areas. The writer's stories demonstrate a number of intra-genre varieties, starting with the main types of short prose – the actual story, short story, essay – and ending with synthetic and hybrid forms of short epic genres. Naumov's short stories feature satirical stories directed against bureaucrats, careerists, and lovers of the “green serpent”. Many of them contain everyday comedy, and in a number of the writer’s stories one can feel the features of the so-called “mischievous”tradition known in world literature, which often borders on “black” humor. Naumov’s humor is of a soft,“hinting” nature, and its meaning is hidden in allegories and subtext. A whole series of stories is dedicated to animals: the author’s bestiary includes horses, cows, dogs, cats, even piglets. The writer demonstrates extraordinary skill in creating crowd scenes and identifying the “collective consciousness.” At thesame time, his artistic anthropology contains many vivid individualized images. In many of Naumov’sstories one can feel his talent as a playwright. If the writer’s short stories demonstrate different types ofshort prose, then the genre designations of his dramatic works are limited to only two definitions – “play”in the sense of “drama” and “comedy”. The only dramatic work that is not accompanied by an author's genre definition is “Autumn.” Judging by the brief initial remark, adherence to the principleof “three unities,” the absence of external events, and the minimum of characters, this is a psychological monodrama. In his comedies, as in his stories, Naumov used a whole system of poetic means andtechniques, starting with such as literary allusions, poetics of names, animalistic imagery, and ending with the verbal self-disclosure of the characters. To enhance the ironic context, they mention the characters of S.S. Yakovlev-Erilik Eristin, poor Khachygyr, D. K. Sivtsev-Suorun Omollooa autocrat Makar, the “great strategist” Ostap Bender from the works of I. Ilf and E. Petrov, and adaptEllyai’s poems. Finally, Naumov himself is a brilliant expert on the native language, rightfully throws a stone at supporters of excessive “Yakutization” of the language of the Sakha people.
Бурцев, А. А. Проблематика и поэтика произведений Дмитрия Наумова / А. А. Бурцев, М. А. Бурцева ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия: Вопросы национальных литератур. - 2024. - N 1 (13). - С. 5-18. - DOI: 10.25587/2782-6635-2024-1-5-18
DOI: 10.25587/2782-6635-2024-1-5-18
Количество страниц: 12 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
In recent years, an active appeal to the discourse of cold as a scientific problem has been observed in science, which is partly due to some extent to the transformation of the worldview of modern man, partly to the awareness of the fragility of the world balance in a globalising space. At the same time, the lack of development of the methodology, which consists in the absence of a conceptual, informational base, separate tools, creates difficulties in implementation this problem. In this regard, the topic presented in this article undoubtedly has great scientific potential and novelty in the context of the problem of geo-culture of the North. The purpose of the study is to study the concept of cold in the context of the geo-cultural landscape of Yakutia as a semantic structure, which manifests itself in the constancy of images, universals with cultural, historical, mental community and united in a single artistic system. The author pays special attention to the reception of the concept of cold in the aspect of binary positions of one's own and another's, where one's own is represented by an associative series of native, close, bright, safe, and participates in the formation of unique characteristics of the national world. The main attention is paid to the initial properties of cold, which form the borders of the Yakut world and participating in the design of a specific mental picture of Sakha, which is quite clearly reflected in the images of the initiating heroes of P.A. Oyunsky. In addition, the subject of the study is also the specifics of cold and its role in the actualisation of the unique geo-cultural quality of the city of Yakutsk as the coldest, most distant city, “the city on the edge”. The methods used in the article were systemic, structural research methods. Results. The study of this concept in the literary aspect helps to identify the peculiarities of the individual style, the author's position, and the peculiarities of constructing a national picture of the world.
Ноева, С. Е. Поэтика холода в якутской прозе начала ХХ века: холод как граница якутского мира / С. Е. Ноева (Карманова) ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 147-158. - DOI: 10.25587/2222-5404-2024-21-1-147-158
DOI: 10.25587/2222-5404-2024-21-1-147-158
Количество страниц: 4 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Языкознание и языки. Лингвистика.
The article presents the analysis of the composition and plot-compositional types of the text of M.Z. Martynov's olonkho "Uol Duolan Bukhatyr". The purpose of the research is to consider compositional structure of the plot of the Yakut heroic epic "Uol Duolan Bukhatyr". The objectives are to study the main parts of the compositional structure of this olonkho: exposition, plot, plot development, climax, and plot denouement. The hypothesis is based on the assumption that in order to understand the cycles of epic development, it is important to consider the characteristic features of the plot structure. The research methods are structural analysis of the olonkho text. The results are as follows: in the text of olonkho "Uol Duolan Bukhatyr" there is a classic motive of epic time, M.Z. Martynov kept the execution in strict sequence.
Павлова, У. В. Сюжетно-композиционная структура олонхо М. З. Мартынова "Уол Дуолан Бухатыыр" / Павлова У. В., Кривошапкина А. Г., Протопопова М. Ю. ; Северо-Восточный федеральный университет им. М. К. Аммосова // Глобальный научный потенциал. - 2022. - N 6 (135). - С. 138-141.
Количество страниц: 2 с.
- Общественные науки. Образование > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Народное образование. Воспитание. Обучение. Организация досуга > Общеобразовательная школа. Дошкольные учреждения,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
Захаров, Н. И. Использование поэзии якутских писателей на уроках географии в разделе "Природа России" в 8 класса / Н. И. Захаров ; Северо-Восточный федеральный университет им. М. К. Аммосова // Международный журнал гуманитарных и естественных наук. - 2020. - N 12-2 (51). - C. 149-150. - DOI: 10.24411/2500-1000-2020-11559
DOI: 10.24411/2500-1000-2020-11559
Количество страниц: 2 с.
- Языкознание. Филология. Художественная литература > Литература. Литературоведение > Теория литературы. Изучение литературы. Литературная техника > Художественная литература на отдельных языках > Якутская (саха) литература,
- НАУКА ЯКУТИИ > ЯЗЫКОЗНАНИЕ. ФИЛОЛОГИЯ. ЛИТЕРАТУРОВЕДЕНИЕ. ХУДОЖЕСТВЕННАЯ ЛИТЕРАТУРА > Литература. Литературоведение.
Захаров, Н. И. Использование описаний географических объектов в олонхо на уроках географии / Н. И. Захаров ; Северо-Восточный федеральный университет им. М. К. Аммосова // Международный журнал гуманитарных иестественных наук. - 2020. - N 12-2 (51). - C. 147-148. - DOI: 10.24411/2500-1000-2020-11558
DOI: 10.24411/2500-1000-2020-11558